The Abhyas Trust, New Delhi
The Abhyas Trust invites applications for a week-long Workshop on the Dhvani Theory from March 4-8, 2018, at New Delhi.
The workshop will commence with a public lecture by Prof C Rajendran, titled Resonance Beyond: The Aesthetics of Dhvani, at the Gulmohar Hall, India Habitat Centre, New Delhi, on 3rd March 2018, at 7 p.m.
About the Workshop
This workshop will principally include a close textual reading of selections from the Dhvanyāloka of Ānandavardhana—the celebrated work on Indian literary theory—together with the Locana commentary of Abhinavagupta. The Dhvanyāloka deals with the entire gamut of signification in poetic language, arguing that great literature always communicates through suggestion (dhvani). Another salient feature of the work is that it offers a broad-based aesthetic theory relevant in other art forms like music, drama and painting. The workshop will focus on select passages of the text and explain its sense in English putting Ānandavardhana’s work in proper perspective. The aim of the workshop is to familiarize the participants with core themes in the text of the Dhvanyāloka so that the necessary theoretical background could be created to explore its aesthetic dimensions, which could broaden their horizons of thought and enhance their artistic sensibilities as creative artists and connoisseurs of art.
Deadline for Application: Tuesday 30 January, 2018
Program and Faculty
Professor C. Rajendran, University of Calicut, Calicut will be the principal instructor. We are also expecting a few other experts of Indian aesthetics to join us. The morning and afternoon sessions will include the readings of the text in Sanskrit followed by special lectures in the evening by various experts in the field of Indian aesthetics. The seminar will be held in English and readings will be circulated in advance. The workshop will be preceded by a special lecture by Prof Rajendran on the topic Resonances Beyond: The Aesthetics of Dhvani on 3rd March 2018 to set the workshop in motion. This special lecture will also serve as an introduction to the workshop and all participants are mandatorily expected to attend. There will also be an evening lecture by Prof. Parul Dave Mukerji (Jawaharlal Nehru University, New Delhi) who will talk about the Indian aesthetics from the lens of comparative aesthetics. Prof. Milind Wakankar (IIT-New Delhi) and Dr. Malcolm Keating (Yale-NUS College in Singapore) will also deliver lectures. A special performance will also be organized during the workshop.
Confirmed Scholar Participants
Prof. Parul Dave Mukerji, Jawaharlal Nehru University, New Delhi
Dr. Mrinal Kaul, Manipal Centre for Philosophy and Humanities, Manipal, Karnataka
Dr. Malcolm Keating, Yale-NUS College in Singapore
Prof. Milind Wakankar, Indian Institute of Technology, New Delhi
Though a rudimentary knowledge of the Sanskrit language on part of the participants would definitely help, the workshop does not presuppose any theoretical background of textual scholarship. We seek interested research students and scholars from across India and abroad. The selection will be made based on the strength of the application. We cannot accept more than 25 participants and the priority will be given to the applications from research scholars in disciplines or with experience in Sanskrit, Philosophy, Aesthetics, Yoga, Performing Arts, Religion and Literature. There will be a participation fee for all participants. Applicants will be informed about the decision of selection after the deadline of application.
Location and Accommodations
The event will be held at Studio Abhyas, 112 Anand Lok (basement), New Delhi. Centrally located in South Delhi, the studio is close to all the major cultural venues of the capital and easily accessible; it is also close to the Metro line. A registration fee will be charged that includes a working lunch, tea/coffee with snacks for the five days of the workshop. Travel cost will not be reimbursed. Unfortunately, we are not in a position to offer accomodation.
Registration is mandatory for attending the workshop. No participation without due registration will be allowed.
Regular Participants: Rs. 4000
Student Participants: Rs. 3000
Applications should include the following, preferably sent as PDFs:
1. Description of research interests and their relevance to the topic of the workshop (max. 300 words)
2. Brief Curriculum Vitae / resume highlighting relevant skills, experience and training.
Applications should be sent to:
(Convenor-Workshop on the Dhvani Theory)
F 27 Green Park, New Delhi 110016
For more information please contact Studio Abhyas
Courtesy: Dr Tarun Dwivedi
Published in The Adyar Library Bulletin 2014-15.
In three independent as well as inter-connected essays, Ashok Aklujkar tries to establish Kashmir as the homeland of Patanjali in the background of the importance assigned to the study of the Mahabhashya by the royalties and the epithets associated with Patanjali, who came to be worshipped as Naga/Ananta. The Rajatarangini statements on the revival of the Mahabhashya study in three widely separated times are reinterpreted along with the Vakyapadiya II.486 by Johannes Bronkhorst in his essay titled “A Note on Kashmir and Orthodox Paninian Grammar”. In his second essay, the author gives an insight into the free thinking of Udbhata, drawing from his interpretation of rules of Ashtadhyayi and the Lokayatasutra.
About nine essays directly deal with grammatical nuances and technicalities as found in the writings of Kashmiri thinkers. George Cardona tries to show the presence of theoretical precedents to one of the earliest grammatical elementary text namely, Katantra attributed to Sarvavarman. P. Visalakshy in her paper gives a comprehensive note on the authorship and structure of Kashika with a detailed account of its influence of Candragomin’s grammatical thought. Malhar Kulkarni’s new research findings of the manuscripts of the Kashikavritti in Shrada script adds to the rich repository of grammatical literature.
Thanks to Mr Chetan Pandey. Here are the two letters (one written in 1965 and another in 1971) Pandit Dinanath Yacch (1921-2004) wrote to Srī Amritvāgbhavācārya. Just note the eloquent Sanskrit written by Pandit Yacch.
The edition (1893) and translation (1900) of Kalhana’s Rajatarangini REMAIN Marc Aurel Stein’s most lasting Contributions to the study of Sanskrit and premodern Indian history. While this work remains unsurpassed in modern scholarship, references in Stein’s private letters pointed to the existence of an updated and expanded version of the Rajatarangini, illustrated by photographs of various locales Mentioned in Kalhana’s history. These revisions and additions, Which stone called the Rajatarangini Illustrated in correspondence, were long lost Considered, HOWEVER this volume presents Marc Aurel Stein’s Illustrated Rajatarangini, edited from manuscripts kept in Oxford’s Bodleian Library. Appearing in print for the first time, the Rajatarangini Illustrated collects stone’s additions and corrections to his text and translation of Kalhana’s Rajatarangini. These notes are illustrated photographs of important sites in the Kashmir Valley taken by stone load on his tour of the Valley in 1940. This collection of photographs has been reassembled from collections in Oxford and the Hungarian Academy of Sciences in Budapest. The volume is completed with four reprints of important papers on the Sanskrit text Rajatarangini by Eugene Hultzsch. These papers served as catalysts for stone to rethink important textual variants in the Rajatarangini.
|Author||Obrock, Luther (ed.)|
|Pages||248 pages with 82 photographs and 2 folding maps|
|Edition||1 – 2013 Edition|